Sunday, July 20, 2008

Fun Take One: Bristol

we started at the Haffenreffer Museum of Anthropology
We took a gander at the collection, learned some stuff about nonwestern cultures. And we took a spin around the grounds, we didnt last too long since it was over 90 degrees.

This is the summer to visit the Haffenreffer Museum, it is closing in the Fall due to fire code violations. Here is a projo article about it.
which might not be a huge deal, you could argue-the ethics of anthropology as a practice, blah blah blah. BUT the land that the museum sits on is culturally significant to history buffs and according to the museum brochure the first nation people who continue to use the land for ceremonial purposes. Mount Hope or Mountaup was once Wampanoag land. It holds a large rock formation called King Phillip's Seat. The Moutaup Swamp was the site of the death of King Phillip or Metacom during King Phillip's war of 1672.

So, I worry what Brown University will do with this piece of land. Especially since a large swath it is beautiful southern RI coastline, ripe for development.

I hope they will do the honorable thing and allow it to remain accessible and wonderful.
I will monitor them for updates.





a full scale tipi next to the parking lot.


and the awesome restroom door

We took the scenic drive back were lucky enough to stumble upon the Quahog Seafood and Art Festival in Warren.


it was a pretty chill little fest sponsored by the Rotary Club. Yay!

My first Stuffie. Nothing like reconstituted clams stuffed back into their shells with hot sauce.


Warren does not water the Grass. But it does have a blow up Castle.


always a line for Del's





Across the street was a scrappy little beach, populated by authentic judgmental yankees, but no Life Guard.


We drove back on 114 with a map a slight idea of where in Riverside was the famed Crescent Park Carousel.
Where for a dollar you can expierence pure joy. The Carousel goes surpassingly fast, and if you are lucky enough to score an outside horse you can try to grab and toss a brass ring into the terrifying mouth of a painted clown.

and if you are over the age of 16 the wary eyes of urban parents.
There was a guy all in black wearing noise canceling headphones who never got off the carousel. It is safe to say he was either High or Crazy, either way I salute him.

(this is not him)

Leather Straps must be worn at all times.

the magic band with naked white lady carvings.
the robed lady shakes her finger at you in time with the music.


Last stop Dari Bee, which we thought was the place with the magic homemade popsicle stand. But it was your standard ice-cream stand. I got a Kiddie frozen yogurt with a butterscotch dip cause I am classy.

Thursday, July 17, 2008

Summer fun the real to do list


View Larger Map

This is a Map of many of the things I would like to do in Rhode Island this summer.

so far the list is:

Gov. Stephen Hopkins House
15 Hopkins St Providence RI 02903

Museum of Work & Culture
42 S Main St Woonsocket, RI 02895 (401) 769-9675

Sodom Trail
Exeter, RI 02822

Slater Mill Historic Site
67 Roosevelt Ave Pawtucket, RI 02860 (401) 725-8638

Glocester Heritage Society
1181 Main St Chepachet, RI 02814 (401) 568-1866

Swan Point Cemetery
585 Blackstone Blvd Providence, RI 02906 (401) 272-1314

Point Judith Lighthouse
1460 Ocean Rd Narragansett, RI 02882 (401) 789-0444

Rose Island Light House Foundation
365 Thames St Newport, RI 02840 (401) 847-4242

Patience Island

Goddard Memorial State Park

Drew Frosty Nature Center
Ninigret Park Charlestown, RI 02813 (401) 364-9508

Great Swamp Monument Dr
West Kingston, RI 02892

Smith's Castle
55 Richard Smith Dr North Kingstown, RI 02852 (401) 294-3521

American Textile History Msm
491 Dutton St Lowell, MA 01854 (978) 441-0400
Lowell, MA 01854

Fort Adams State Park
Fort Adams Drive, Newport, Rhode Island

Haffenreffer Museum
300 Tower St # 1 Bristol, RI 02809 (401) 253-8388

Norman Bird Sanctuary
583 3rd Beach Rd # 2 Middletown, RI 02842 (401) 846-2577

Coggeshall Farm Museum
Colt State Park Bristol, RI 02809 (401) 253-9062

Colt State Park
(401) 253-7482

Redwood Library
50 Bellevue Ave Newport, RI 02840 (401) 847-0292

Purgatory Chasm

Green Animals Topiary Gardens
380 Corys Ln Portsmouth, RI 02871 (401) 683-1267

Old Stone Mill
Bellevue Ave Newport, RI 02840 (401) 846-1398

Cliffside Inn
2 Seaview Ave Newport, RI 02840 (800) 845-1811

textile warehouse?
111 India St Pawtucket, RI 02860 supposedly sheets by the pound.

Goddard Memorial State Park
1095 Ives Rd East Greenwich, RI 02818 (401) 884-0088

Observation Tower
Provides excellent view of the building.

Crescent Park Carousel
145 Taunton Ave East Providence, RI 02914 (401) 435-7518

Slater Memorial Park
401 Newport Ave Pawtucket, RI 02861 (401) 722-6931 more info » CAROSEL


Beavertail State Park
Beavertail Rd Jamestown, RI 02835 (401) 884-2010

Newport Exploration Center Aquarium
175 Memorial Blvd Newport, RI 02840 (401) 849-

Ye Olde English Fish & Chips
25 S Main St Woonsocket, RI 02895 (401) 762-3637

Lincoln Woods State Park
2 Manchester Print Works Rd Lincoln, RI 02865 more info »

Arcadia Management Area
Ten Rod Road, Exeter, Rhode Island

Cape Verdean Museum Exhibit
1003 Waterman Ave East Providence, RI 02914 (401) 228-7292

Carrs Pond

Wright's Dairy Farm Inc
200 Woonsocket Hill Rd North Smithfield, RI 02896 (401) 767-3014 CREAM PUFFS!

Ryan Park
Oak Hill Road, North Kingstown, Rhode Island more info » Secret Lake!

Prudence Park
Portsmouth, Rhode Isl

Newport Art Museum and Art Assoc
76 Bellevue Ave, Newport, RI

Beavertail Lighthouse, Jamestown, RI

Wein-O-Rama
1009 Oaklawn Ave Cranston, RI 02920 (401) 943-4990

AW root beer drive in
460 Putnam Pike Greenville, RI 02828


Aardvark Antiques
9 Connell Hwy Newport, RI 02840 (401) 849-7233

BIG ROOSTER
Sollitto's Liquor Mart 905 Narragansett Blvd Providence, RI 02905 (401) 781-2260

Florence Nightingale's Nursing Cap
Westerly Hospital 25 Wells St Westerly, RI 02891 (401) 596-6000

Mystic Aquarium & Institute
55 Coogan Blvd Mystic, CT 06355 (860) 572-5955

Wild Parakeets
Bullocks Point Ave Riverside, RI 02915

Smith-Appleby House
220 Stillwater Rd Smithfield, RI 02917 (401) 231-7363

Butterfly Zoo
594 Aquidneck Ave, Middletown, RI

Save the Bay
18 Market Sq Newport, RI 02840 (401) 324-6020 Seal Watch TOurs

Fort Barton/ Sin and Flesh Brook
Highland Rd Tiverton, RI 02878 (401) 625-6700

Schartner Farms
1 Arnold Pl Exeter, RI 02822 (401) 294-2044
supposedly one of the best farm stands in the state

Middle of Nowhere Diner
222 Nooseneck Hill Rd Exeter, RI 02822 (401) 397-8855

Audubon Society of Rhode Island: State Headquarters
12 Sanderson Rd Smithfield, RI 02917 (401) 949-3870

Rome Point
Rome Point is part of the John H. Chafee Nature Preserve and is a great place to watch the seals in winter.

Rhode Island Resource Recovery
65 Shun Pike Johnston, RI 02919 (401) 942-1430

Arnold House
487 Great Rd Lincoln, RI 02865 (401) 728-9696

Clemence-Irons House
38 George Waterman Rd Johnston, RI 02919 (401) 295-1030

Tiverton Land Trust Inc
Pardon Gray Preserve Tiverton, RI 02878 (401) 625-1300

Watson Farm
455 N Main Rd, Jamestown, RI

Seabee Museum & Memorial Park
21 Iafrate Way North Kingstown, RI 02852 (401) 294-7233

Pettaquamscutt Historical Society Inc The
2636 Kingstown Rd Kingston, RI 02881 (401) 783-1328 more info »

Kenyon Corn Meal Co
21 Glen Rock Rd West Kingston, RI 02892 (401) 783-4054

Casey Farm
2325 Boston Neck Rd Saunderstown, RI 02874 (401) 295-1030

Samuel Whitehorne House Museum
416 Thames St, Newport, RI

Touro Synagogue-Congregation
85 Touro St Newport, RI 02840 (401) 847-4794

Rough Point
680 Bellevue Ave Newport, RI 02840 (401) 847-8344

Rose Island

Museum-Primitive Art & Culture
1058 Kingstown Rd # 5 Wakefield, RI 02879 (401) 783-5711 primitiveartmuseum.org


Helme House Gallery
2587 Kingstown Rd Kingston, RI 02881 (401) 783-2195

Allison B Goodsell Rare Books
196 Potter Hill Rd Westerly, RI 02891 (401) 377-8270

Sweet Berry Farm
19 Third Beach Rd Middletown, RI 02842 (401) 847-3912

19 Third Beach Rd
Middletown, RI 02842
(401) 847-3912

American Diner Museum
89 Industrial Cir Lincoln, RI 02865 (401) 723-4342

John Carter Brown Library
George & Brown St Providence, RI 02912 (401) 863-2725

John Hay Library
20 Prospect St Providence, RI 02912 (401) 863-2146

Governor Sprague Mansion
1351 Cranston St, Cranston, RI

Killingly Pond State Park
Pond Road, Killingly, Connecticut

Wescott Beach
Glocester, RI

Museum of Fine Arts, Boston
Avenue of the Arts 465 Huntington Avenue, Boston, MA 02115 (617) 267-9300

Isabella Stewart Gardner Museum
280 Fenway Boston, MA 02115 (617) 566-1401

Mashpee Wampanoag Indian Museum
414 Main St Mashpee, MA 02649 (508) 477-3997


New Bedford Whaling Museum
18 Johnny Cake Hl New Bedford, MA 02740 (508) 991-2204

Alice M Howland Recreational Area
Ryefield Road, Scituate, Rhode Island

Snug Harbor
South Kingstown, Rhode Isl

The Fruity Cow
7 Turner St Warren, RI 02885 on the bike path homemade popsicles.

Providence-Newport Ferry Service
265 Melrose St Providence, RI 02907 (401) 453-6800

King Park

Mashapaug Pond

River Point Park
Hay Street, West Warwick, Rhode Island

Danielson Pike
RI Covered bridge!

Tomaquag Indian Memorial Museum


Have any suggestions?

Saturday, March 22, 2008

Todd Haynes @ RISD

March 31 7PM
RISD AUDITORIUM

Tuesday, March 11, 2008

Lecture: Bill Arning "Chantal Ackerman - Moving Through Time and Space"

Bill Arning, Curator of the List Visual Arts Center at MIT, to Discuss the Works of Filmmaker Chantal Ackerman at Roger Williams University

The School of Architecture, Art & Historic Preservation presents Bill Arning, well-known art critic and curator, on Wednesday, March 12, at 6:00 PM in the School of Architecture.
The event is free and open to the public.
Bill Arning has been curator since 2000 at the MIT List Visual Arts Center, where he has organized Cerith Wyn Evans–Thoughts Unsaid, Now Forgotten . . . (2004), AA Bronson’s Mirror Mirror ( 2002), Son et Lumière (2004), and, with co-curator Ian Berry, America Starts Here: Kate Ericson and Mel Ziegler (2006). As director and chief curator of the alternative space White Columns from 1985 to 1996, Arning organized the first New York exhibitions for many significant artists of the period and was a frequent writer on art for Time Out New York, The Village Voice, Parkett, and Art in America.
has been curator since 2000 at the MIT List Visual Arts Center, where he has organized (2004), 2002), (2004), and, with co-curator Ian Berry, (2006). As director and chief curator of the alternative space White Columns from 1985 to 1996, Arning organized the first New York exhibitions for many significant artists of the period and was a frequent writer on art for , , and

has been curator since 2000 at the MIT List Visual Arts Center, where he has organized (2004), 2002), (2004), and, with co-curator Ian Berry, (2006). As director and chief curator of the alternative space White Columns from 1985 to 1996, Arning organized the first New York exhibitions for many significant artists of the period and was a frequent writer on art for , , and

has been curator since 2000 at the MIT List Visual Arts Center, where he has organized (2004), 2002), (2004), and, with co-curator Ian Berry, (2006). As director and chief curator of the alternative space White Columns from 1985 to 1996, Arning organized the first New York exhibitions for many significant artists of the period and was a frequent writer on art for , and
He will discuss the work of Chantal Akerman, a Brussels-born and now Paris-based filmmaker, world famous for her deconstructive style, pessimistic humor and corrosive observations of identity, sexuality, and politics. Akerman’s films have been called the single most important and coherent body of work by a women director, and her film “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles” (1975) was praised by the New York Times as ”the first masterpiece of the feminine in the history of cinema”. In addition to her many short and feature films, Chantal Akerman has produced documentaries and video installations.
J. Hoberman of the The Village Voice has described Ackerman as, “Comparable in force and originality to Godard or Fassbinder, Chantal Akerman is arguably the most important European director of her generation.”

Tuesday, March 4, 2008

Conversations on Creative Practice with Holly Ewald, Tomorrow Wednesday March 5 from 5-7pm

Conversations on Creative Practice with Holly Ewald, Tomorrow Wednesday March 5 from 5-7pm

How do you nurture creativity in the little corners of your world? How do you cultivate your creative practice? Join us for a Conversation with Holly Ewald, a studio and community artist who works in a variety of media, including artist books, collage, monoprints, mail art and installation.

Holly has been an artist in residence at the Millay Colony in upstate New York and the Skowhegan School of Art in Maine. She was an artist in residence at New Urban Arts from 2002-03, where she initiated a mail art exchange between New Urban Arts artists and established artists in Rhode Island. Holly now serves on New Urban Arts Board of Directors. A graduate of University of Oregon and Brooklyn College, Holly has been awarded grants from the Rhode Island State Council for the Arts, the Rhode Island Council on the Humanities and a New Works grant from The Rhode Island Foundation, among others. Holly's collaborative work has been published in River Styx 56, The Visual Word, Resurgence Magazine (Spr. 04), A Moving Journal, and The Penland School of Handmade Books and Community Performance, an Introduction by Petra Kuppers.

Recently, Holly has been working with folklorist Michael Bell, in Pawtuxet Village where they both live, developing hands-on community arts and humanities projects that can be seen at www.voicesandvisions.org. Awards for this collaborative work include an education award from the Rhode Island Historical Preservation and Heritage Commission and a Clearwater Award from The Waterfront Center in Washington D.C.

This spring, New Urban Arts is hosting a new series of five public Conversations in which unique individuals share how they integrate creativity into their personal and professional lives. We'll have guests talking about drawing, writing, cooking, gardening, list-making, and the other personal rituals that we carve out to transcend everyday lives.

Conversations is located at 743 Westminster Street in Providence and is free and open to the public. This new program is generously supported by the National Endowment for the Arts and the Rhode Island State Council on the Arts and organized by the Arts Mentoring Fellows at New Urban Arts, Andrew Oesch and Peter Hocking. Visit www.newurbanarts.org for an updated schedule and listen to podcasts of New Urban Arts Conversations Series.

Friday, February 29, 2008

seed swap at woonie library

There will be a seed swap on March 15 from 1pm-3pm at the Woonsocket Library, in Woonsocket, RI. Please bring your unwanted seeds to swap with others who have extra seeds. Unpackageed seeds should be put in an envelop and labeled with name and harvest date. Please send an email if you are interested in donating seeds to increase the variety of the pool before the swap begins.

Lecture: Mierle Laderman Ukeles

WEDNESDAY, MARCH 5
Lecture: Mierle Laderman Ukeles
6:15pm
RISD Auditorium
"THE POWER OF ART AND THE POWER OF THE ARTIST IN THE PUBLIC DOMAIN OR IS IT THE POWER OF THE ARTIST AND THE POWER OF ART IN THE PUBLIC DOMAIN?"
Ukeles is known for her keen interest in developing new uses for recycled materials. Ukeles' art is about the everyday routines of life. Through her work with the New York City Department of Sanitation, she builds and orchestrates major public projects that explore the social and ecological issues of waste management. Her work asks the community to rethink its common disregard of waste and its disrespect for those who work with it. The artist uses her education as a powerful tool to engage community members in active learning processes. Community involvement and affirmation are at the heart of Ukeles' art work. Ukeles received a BA degree in History & International Relations from Barnard and studied Visual Arts at Pratt Institute. She joined the Department of Sanitation in the late 70s as artist in residence, a position that enabled her to incorporate dialogue, community participation around life-centered issues, and ecological sustainability into her work. Since she wrote the "Manifesto for Maintenance Art," in 1969, virtually all of her work has been public.